The M{ }esum

The foreignness of what you no longer are, no longer possess, or haven’t yet become lies in wait at the M{ }esum.  What the M{ }esum in fact is, we may never know. It can in many ways be seen as an universal depository for all our lost things, knowledge, ideals, selves, relationships, relatives, utopias, pens, lighters, memories, work, potential and directions.The M{ }esum is bigger than you can imagine, yet it takes up no space. With a collection that is simultaneously intangible and forever expanding most of it remains hidden, the specifics irretrievable.

However, do not be fooled into thinking that the M{ }esum is a fictive space, or some kind of philosophical or esoteric joke, for the M{ }esum, despite science’s or archaeology’s inability to prove its existence, is not mere abstractions or conceptual titillations. Rather the M{ }esum, one of its kind, is the world’s largest and most significant museum to specialize above all, in the unknown and the presence of absence, known as n∅bjects*.


T H E   C O L L E C T I O N

The diverse and manifold M{ }esum collection include n∅bjects* dating from ancient times to the present day, and beyond, in virtually every category. From missing masterpieces to the unpublished, unfinished and undone. From the burned down Great Library of Alexandria to your lost  socks. From the historic, celebrated, far reaching and consequential to the forgotten, undocumented, worthless and obscure. The M{ }esum  contains uncountable sets of n∅bjects*, many unknown, it is thus impossible to determine the collection’s size with any certainty, nonetheless, since the the m{ }esum specialises in absence and the unknown, in theory the  collection is always complete, even when parts are missing.



If You can't find it, you are already here.

The exact location of the M{ }esum is debated, though it is generally believed that the M{ }esum resides within itself, concealed from view beyond the treshold of perception Others argue that the M{ }esum  exists only as a myth or a rumour, a curious tale. Yet details of sightings and possible M{ }esum portals have been recorded in various places, from Athens, to Berlin, where for the convenience of the M{ }esum visitor a public wing of the M{ }esum is open to the public by appointment.

Here you may find the artist Löwendahl-Atomic meticulously cataloging n∅bjects into the Muesum Archive or lovingly tending to your lost hats and scarves, to your lost trust in political systems, to the memory of a body,  to your old ego,  to your numerous lost telephones, to your future plans,  to your lost cause, to your unfulfilled  desires and  to the answer that you never received.

The M{ }esum was established/founded/discovered/created in 2009, by the artist Anna Livia Löwendahl-Atomic.  A work in progress, it embody a series of paradoxes and oscillate/interweave between the manifest/metaphysical, between the visible and the hidden, between the hole and the whole, and between truth and fiction. The M{ }seum  is always on the brink of disappearing back into its own collection.